In 1755, the Marquis de Marigny employs the architect Jacques-Germain Soufflot. Soufflot had sent from Rome his idea which was received with great acclamation.

The foundations are dug in 1758. Louis XV lays the first stone in the 6^th September 1764.
Financial difficulties and the death of Soufflot in 1780 delays  the construction of the building which would finally be completed in 1790, during the French Revolution.
On the pediment is written the quote from Pastoret: « For great men, the grateful homeland ».

The Revolution exploded and the National Assembly decides by a decree of April 4^th 1791, to use the building as a burial ground for exceptional individuals who had contributed  to the success of France. « May  the temple of religion be the temple of the country, and the tomb of a great man become the altar of freedom. » This building was named the French Pantheon.
During the 1^st Empire, the building was both a burial ground and a place of worship. The crypt sheltered the grave of great servants of the state, while in the upper part religious ceremonies and often imperial commemorations took place.

From 1821 to 1830, the monument was no longer a pantheon.  After an ordinance of December 12^th, 1821, Louis XVIII and Charles X restore it as a church (dedicated to St. Genevieve). However, the graves are not removed. Whilst  Louis XVIII’s courtiers had questioned if it was proper to leave the remains of the anticlerical Voltaire in a holy place, the King replies, « Leave him alone, he is punished enough having to hear Mess every day. »

The July Monarchy moves the Church of St. Genevieve to the Catholic worship on August 15^th, 1830 and re-establishes its first destination. The  Pantheon was then called « Temple of Glory. » David d’Angers redid the facade and the famous motto « For great men the grateful homeland » reappears. But during this period, no one will be “Pantheonised”.

From 1848 to 1851 under the Second Republic, it would become the “Temple of Humanity”,  without attracting either new tenant.
During  the Second Empire (1851-1870), the building becomes a church and the  inscription disappears again.
It’s only since 1885, when Victor Hugo died and was buried in the Pantheon that  the church of St. Genevieve disappeared. From that moment until now the building is the place where great men honored by the Republic rest  in peace.

The pediment represents: the Republic (center) promoting liberty and protecting the people,Sciences (left) – represented by many great scholars (François-Xavier Bichat, Berthollet, Gaspard Monge, Laplace …), Philosophers (Voltaire, Jean-Jacques Rousseau …), Writers (Fenelon, Peter Cornelius …) Artists (Jacques Louis David …) – and History (right) – represented by the great people of the State (Napoleon Bonaparte … ) and students of the Ecole Polytechnique.

In 1791, when the notion of  the French Pantheon was formed, the Constituent Assembly had the decisive power. The 1794s Convention chose to burry Jean-Jacques Rousseau, but also to remove Mirabeau, and later Marat.
During the First Empire, Napoleon the first assumed this privilege.

Under the Third Republic, it is the members who propose and decide. Some transfers involve violent polemics, such as Emile Zola in 1908.
Nowadays, this choice belongs to the President of the Republic. The family may object to this honor, as Charles Peguy and Albert Camus families did in 2009.

Great men admitted to Pantheon

* Mirabeau, Monday, April 4, 1791 :

Mirabeau died in Paris on 2^nd April 1791. This night, torches were lit and his body was taken to the Pantheon, crossing through old Paris. The building however was not yet adapted to its new role and the coffin was actually dropped in a vault of the old abbatial church.
But in November 1792, the discovery of the iron wardrobe at the Tuileries gave evidence that he owned subsidies in the Court … The September 12^th, 1794, his coffin was removed from the Hall through a side door, while Marat’s coffin crossed the threshold of honor. In his speech David stressed that: “ the vice and the imposture flees the Pantheon. The people there, called him the one who never made a mistake”. Mirabeau’s remains were anonymously buried in the cemetery of Clamart.

* Voltaire, Monday, July 11, 1791:

The French’s revolutionary decision to transfer the remains of Voltaire to the Pantheon shows their desire to affiliate with the Enlightenment. It was perhaps the suggestion of the Girondins who willingly promoted the ideas of the philosopher.That was one of the first revolutionary ceremonies. It was also an affirmation of the Pantheon as a temple for the great dead; one has to remember that when Voltaire died in 1778, he was an anticlerical and a Freemason, who had been furtively buried because the Catholic church refused him a religious funeral. Besides, the clergy wouldn’t participate in the ceremony of “Pantheonisation”.

Thus, thirteen years after his death (May 30^th, 1778), Voltaire’s remains was transferred to the Pantheon. The night before the funeral, the coffin was exhibited in the ruins of the Bastille – the prison where Voltaire and others enemies of the Old Regime had been confined. Since this time, the prison has become a kind of symbol of the Revolution. The ceremony was staged by the architect Cellerier, a follower of the Greco-Roman style.

An orchestra followed the coffin pulled by twelve white horses. The walls were decorated with theatrical masks, with this accolade:
« He fought the atheists and fanatics. He inspired tolerance, he claimed for the human rights against the slavery of feudalism. Poet, historian, philosopher, he enlarges the human spirit and taught him to be free. « 

* Jean-Paul Marat, September 21, 1794:

While the body of Marat crossed the threshold of honor, Mirabeau’s coffin was released by a side door. The following eulogy was delivered: « Like Jesus, Marat ardently loved people. Like Jesus, Marat hated kings, nobles, priests, the rich, the rogues and like Jesus, he continued to fight these plagues of society « .
In 1795, he was considered as a traitor. On the 8^th of February, his coffin was removed from the Pantheon; the sculpture busts portraying himself were broken and his remains are thrown into the sewage. Today his tomb is found in the cemetery of Saint-Etienne-du-Mont near the Pantheon.

* Jean-Jacques Rousseau, Saturday, October 11, 1794 :

The National Convention vowed a decree in April 14^th, 1794 ordering the removal of Rousseau’s remains from the Pantheon. Robespierre is representing the Convention and has to submit the decree. They wanted to establish a spiritual revolution and offer the country civil ceremonies where the ideals of the new morality would be performed, replacing the banned Christian holidays.

* Victor Hugo, Monday, June, 1st, 1885:

Since 1876, Republicans dreamt to restore their Pantheon, their temple of the dead. But the plan passed by the House in 1881, was rejected by the Senate. It’s only the famous author of Les Miserables who would brutally impose it, so much so that the President of the Republic, Jules Grévy decided to give back its republican status.
On Thursday, May 28, 1885, the church is closed to the faithful. The next day, they removed the religious symbols from the pediment of the Pantheon. Despite protests from Catholics, this time the transformation would be irreversible.

Two years before his death, Hugo adds to his will and testament: « I give fifty thousand francs to the poor. I want to be brought to the cemetery in their hearse. I refuse the oration of any churches, I ask a prayer for all souls. I believe in God « , he could not possibly imagine how this statement would correspond with the deist philosophy and secular republican government. The day of his funueral, under the Arc de Triumph appeared a black veiled pauper’s hearse and a huge catafalque built by Charles Garnier,  the architect of the Paris Opera.

* August, the 4th, 1889 :

Théophile Malo Corret de la Tour d’Auvergne

Lazare Nicolas Marguerite Carnot

François-Séverin Marceau-Desgraviers, called Marceau

Jean-Baptiste Baudin :

These four people were buried to mark the centenary of the French Revolution.

* Sadi Carnot, 29 juin 1894 :

He was assassinated by the anarchist Caserio on June 24^th. He is the only president to have been buried in the Pantheon.

* Marcellin Berthelot, Monday, March 25, 1907:

The scientist died on March 18^th, 1907. His coffin was taken directly to the Pantheon, along with the coffin of his wife who had coincidently died on the same day. She had expressed a wish never to be separated from her husband.

* Emile Zola, Thursday, June 4, 1908:

The decision to “patheonise” Emile Zola came from a dim political climate in a traumatized and divided France after the Dreyfus scandal.
A few days before the ceremony Jean Jaures wrote: « The great reform of the Separation, the most important that has been attempted in our country since the French Revolution ». In addition to this, in 1904 France had severed its diplomatic relations with the Vatican.

* Léon Gambetta, jeudi 11 novembre 1920 :

A speech was delivered at the ceremony by Millerand the President of the Republic.

* Jean Jaures, Sunday, November 23, 1924 :

The decision to transfer Jean Jaures’ remains to the Pantheon was an opportunity for the elected government Leftists to benefit from a symbolic anchorage whilst paying tribute to the man who tried to prevent war.

* Wednesday November 17, 1948:

Paul Langevin

Jean Perrin

The ceremony takes place the same day for these two scientists.

* Friday, May 20, 1949:

Victor Schoelcher

Félix Éboué

The vigil took place at the Arc de Triomphe, honored by the President Vincent Auriol’s presence -most senior of the state. The procession with the kind that Chopin’s Funeral March evokes, proceeding through the Palais du Luxembourg Pantheon between a double row of soldiers. The ashes of Victor Schoelcher and Felix Eboue would later be placed in the crypt, along with those of Jean Jaures.

* Louis Braille, dimanche 22 juin 1952:

and Jean Moulin, samedi 19 décembre 1964:

* Rene Cassin, Monday, October 5, 1987:

The one that we honor this day was the laying to rest of the lawyer and Nobel peace prize winner in 1968. Rene Cassin had honorably passed the Universal Declaration of Human Rights.

* Jean Monnet, Wednesday, November 9, 1988:

« There is exactly one hundred years, the November 9^th, 1888, Jean Monnet was born in Cognac, Charente. His life which was long and enriched tells how a small provincial from Saintonge became the first citizen of Europe …  »

* Tuesday December 12, 1989:

L’abbé Grégoire

Gaspard Monge

Condorcet

The ashes of these three men were also transferred to the Pantheon. The ceremony corresponded with the celebrations of the bicentenary of the French Revolution held by François Mitterrand, President of the French Republic.
« Revolutionaries in your time you were. Revolutionaries in our time you remain… In Salvation and Fraternity. You are welcomed in the temple of the Republic, in the phantom parliament of the free, equal and fraternal men.  »

* Marie and Pierre Curie, Thursday, April 20, 1995:

For the first time in history a woman is admitted for her own merits, alongside her husband in the sanctuary of great men.
Note: For fear of radiation, the coffin of Mary was sealed.

* Andre Malraux, Saturday, November 23, 1996:

Malraux is the fifth writer to enter the Hall of Pantheon.

* Alexandre Dumas, Saturday, November 30, 2002:

« With this gesture, the Republic will give full scope for one of its most turbulent and brightest children whose whole life was spent to serve our republican ideals.  »

« The name of Alexandre Dumas is more than French, it is European, it is more than European, it is universal”. The coffin of Alexandre Dumas was then descended into the vault XXIV where there lay already those of Victor Hugo and Emile Zola.

Who will be the next great man?

Romantic Paris Hotel

Some consider that the name of the Parisii tribe comes from the Celtic Gallic word parisio meaning « the working people » or « the stone breakers”. The  King Saint Louis encouraged the legend of an ancestry of prince Pâris which kidnapped the beautiful Hélene and provoked the Trojan War.

Paris has many nicknames, but its most famous is « La Ville-Lumière » (« The City of Light ») a name it owes first to its fame as a centre of education and ideas during the Age of Enlightenment, and later to its early adoption of street lighting.

Paris’ inhabitants are known in English as « Parisians » and in French as Parisiens. Parisians are often pejoratively called Parigots, a term first used in 1900 by those living outside the Paris region, but now the term may be considered endearing by Parisians themselves.

HISTORY

The earliest archaeological signs of permanent habitation in the Paris area date from around 4200 BC. The Parisii, a sub-tribe of the Celtic Senones, inhabited the area near the river Seine from around 250 BC. The Romans conquered the Paris basin in 52 BC, with a permanent settlement by the end of the same century on the Left Bank Sainte Geneviève Hill and the Île de la Cité. The Gallo-Roman town was originally called Lutetia, but later Gallicised to Lutèce.

It expanded greatly over the following centuries, becoming a prosperous city with a forum, palaces, baths, temples, theatres, and an amphitheatre. The collapse of the Roman empire and the fifth-century Germanic invasions sent the city into a period of decline. By 400 AD, Lutèce, by then largely abandoned by its inhabitants, was little more than a garnison town entrenched into the hastily fortified central island. The city reclaimed its original appellation of « Paris » towards the end of the Roman occupation. The Frankish king Clovis I established Paris as his capital in 508.

Paris’s population was around 200,000 when the Black Death arrived in 1348, killing as many as 800 people a day, and 40,000 died from the plague in 1466. According to Biraben, plague was present in Paris for almost one year in three in the 16th and 17th centuries to 1670. Paris lost its position as seat of the French realm during occupation of the English-allied Burgundians during the Hundred Years’ War, but regained its title when Charles VII of France reclaimed the city from English rule in 1436. Paris from then became France’s capital once again in title, but France’s real centre of power would remain in the Loire Valley until King Francis I returned France’s crown residences to Paris in 1528.

During the French Wars of Religion, Paris was a stronghold of the Catholic party. In August 1572, under the reign of Charles IX, while many noble Protestants were in Paris on the occasion of the marriage of Henry of Navarre, the future Henry IV, to Margaret of Valois, sister of Charles IX, the St. Bartholomew’s Day massacre occurred; begun on 24 August, it lasted several days and spread throughout the country. During the Fronde, Parisians rose in rebellion and the royal family fled the city (1648). King Louis XIV then moved the royal court permanently to Versailles in 1682.

A century later, Paris was the centre stage for the French Revolution, with the Storming of the Bastille on 14 July 1789 and the overthrow of the monarchy in September 1792.

Paris was occupied by Russian Cossack and Kalmyk cavalry units upon Napoleon’s defeat on the 31st of March 1814; this was the first time in 400 years that the city had been conquered by a foreign power. The ensuing Restoration period, or the return of the monarchy under Louis XVIII (1814–1824) and Charles X, ended with the July Revolution Parisian uprising of 1830.

The new ‘constitutional monarchy’ under Louis-Philippe ended with the 1848 « February Revolution » that led to the creation of the Second Republic.

Throughout these events, cholera epidemics in 1832 and 1849 ravaged the population of Paris; the 1832 epidemic alone claimed 20,000 of the population of 650,000.

The greatest development in Paris’s history began with the Industrial Revolution creation of a network of railways that brought an unprecedented flow of migrants to the capital from the 1840s. The city’s largest transformation came with the 1852 Second Empire under Napoleon III; his préfet Haussmann levelled entire districts of Paris’ narrow, winding medieval streets to create the network of wide avenues and neo-classical façades that still make much of modern Paris; the reason for this transformation was twofold, as not only did the creation of wide boulevards beautify and sanitize the capital, it also facilitated the effectiveness of troops and artillery against any further uprisings and barricades that Paris was so famous for. The Hotel Britannique was built in 1860.

The Second Empire ended in the Franco-Prussian War (1870–1871), and a besieged Paris under heavy bombardment surrendered on 28 January 1871. The discontent of Paris’ populace with the new armistice-signing government seated in Versailles resulted in the creation of a Parisian « Commune » government, supported by an army in large part created from members of the City’s former National Guard, that would both continue resistance against the Prussians and oppose the government « Versaillais » army. The result was a bloody week Semaine Sanglante that resulted in the death, many by summary execution, of roughly 20,000 « communards » before the fighting ended on May 28, 1871. The ease at which the Versaillais army overtook Paris owed much to Baron Haussmann’s earlier renovations.

France’s late 19th-century Universal Expositions made Paris an increasingly important centre of technology, trade and tourism. Its most famous were the 1889 Universal Exposition to which Paris owes its « temporary » display of architectural engineering prowess, the Eiffel Tower, a structure that remained the world’s tallest building until 1930; the 1900 Universal Exposition saw the opening of the first Paris Métro line.

« Fluctuat nec mergitur », meaning « He was beaten by the waves but does not sink ». It is about the « Scilicet », ship also represented on the crest of the city and symbol of powerful corporation of the Boatmen

Source : Wikipedia

Some museums to visit

• Musée Carnavalet
• Crypte archeolique du parvis Notre-Dame
• Musée Cognacq-Jay

Romantic Paris Hotel

Hotel Britannique Paris Romantic Paris Hotel, 3 star Hotel Paris

Luxury comes from the Latin word luxus which means excess or decadence, pomp and splendor. It evokes a lavish lifestyle leading to unnecessary spending. This is required in order to surround oneself with a sumptuous sophistication or pure taste of ostentation, as opposed to one’s basic needs.

A luxury product is essentially a guarantee of quality: the customer knows that it has been produced with expertise, often it is a work of art and uniquely hand- made. It is for this reason that one is ready to pay the excessive amount on the price tag.

The luxury brand is often a family brand, whose origin is rooted in tradition. Here the creator has mixed, at the right moment; knowledge, passion and ambition to give birth to an elevated product and lifestyle shared with their loved ones and passed down in generations. The Luxe does not necessarily have to be well known. Producing a product in small quantities which is ordered by a limited clientele means that these producers of the Luxe profit from its rarity, and from their claim to excellence.

Creators of the luxe have existed for many centuries. Throughout history, the idea of luxury has stemmed from the traditions and lifestyle of the preceding cultures.

Looking back to the Egyptians, we see a population already showing concern for beauty, one’s well being, and social distinction. The possession of jewelry or perfume illustrates the beginning of man’s need for luxury. Some centuries later, the idea of Luxury would become a propelling source of inspiration for artistic and technical discoveries.

In France, thanks to the political and administrative statements set since the Middle Ages, the powerful centralised government allowed for major economic activity of suppliers to the court, particularly in the decorative arts.

The monarchy would later propel this activity. Louis XIV and his successors become very important leaders. We then witness the creation of large factories able to provide for not only the court but also the aristocracy. These producers were gratified enough to become suppliers to other Court. One of the best known creators was Francois-Thomas Germain, nicknamed « the jeweler of Kings ».

From the sixteenth to the eighteenth century, the Luxe was the concern of philosophical, religious, economic and moral debate. Voltaire for example considered luxury to be a real economic engine, while opponents such as Rousseau, believed it to be an obstruction of virtue.Luxury is associated to a wealth which allows one to investment money in something that will generate pure pleasure, rather a profit or satisfy a need. In the eighteenth century, Voltaire explained this idea in a paradoxical formula: « The superfluous is very necessary. « (The Poem Mondain, 1736).

The Revolution did not interrupt the need for luxury. Napoleon restored a stately court, which even if it did seem a little ‘nouveau riche’, was none the less « brilliant ».

But the Restoration is problematic. The Nobles were often left out of pocket and therefore less willing to invest in luxuries

In the 19th century, the Industrial Revolution induced two significant transformations. First was the rise of a new elite class, the bourgeoisie. The elite were concerned with possessing (as quickly as possible) the same thing as the aristocracies of the past. Secondly, productors adopted new innovative and effective manufacturing processes which reduced costs and increased production.

Odiot seems to be one of the first who successfully made this transition. At the end of the Empire he created a steam engine whose demand rose rapidly. Rather than give up, he decided to change his production methods, no longer producing to order but to manufacture and sell. Thus we see the transition from handwork logic to industrial scale.

In 1815, this innovative approach was quickly adopted by other manufacturers. This is particularly the case in the production of jewelry, furniture and even in new productions such as that of the piano. Pleyel, fabricators of the piano, are a principal example.

Added to this, the beginning of globalization opens up very important commercial prospects. During the July Monarchy and the Second Empire, the idea of Paris as capital of Luxury begins to become a reality.

During the universal exhibitions, the sovereign clearly showed his support for this movement when providing the establishment of luxury in Paris. For example, Worth, the dressmaker of the Empress and her surroundings.

Then, ‘a two level production’ as it is called in France, existing of both the production of the semi luxe and the luxe, sets up in Paris. The craft tradition persists, and is even more developed. Amongst the jewelers we see the development of future famous brands like Cartier Chaumet. But alongside this luxury handcraft emerges a semi-luxury activity which will help Paris to light up the rest of the world…

At the end of the Second Empire, the food business sees the birth of the prestigious brands Hediard and Fauchon.

The exhibition of 1900 reveals Paris as the global capital of luxury. With the advancement of transport and the new fashion for days out and holidaying, came a boom in the hotel and restaurant business. Consequently names such as Hermes and Louis Vuitton are born.

In 1925, the world’s largest boat named the “Normandie”, sets sail. Normandie was the leading example of French creation, a real museum piece out on the ocean proving to the world that true creation takes place in Paris.

While World War II hits Europe and France in particular, the popularity of brand names soars. Remembering the emblematic figures such as Chanel or Christian Dior, the world of luxury takes root and rapidly grows up. The late ’40s may be described as a frenzy of luxury: 106 houses are labeled ‘Haute Couture’ and the perfume industry booms.

The return of Coco Chanel and the triumph of Yves Saint Laurent enhance this feeling, Paris retains its status as the global capital of fashion and style.

Today, the title for the leaders of Luxury is battled out by other capitals of creativity such as New York or Milan. However, its history and the current strength of its designers gives the City of Light something more, a little ‘extra’ which makes it resonate for a longtime in the collective imagination.

Louis Vuitton : 38 Avenue George V, 75008 Paris. Website : http://www.louisvuitton.com/

Christian Dior Couture : 8 Place Vendôme, 75001 Paris. Website : http://www.dior.com/

Cartier : 23 Place Vendôme, 75001 Paris. Website : http://www.cartier.fr

Fauchon : 24-26 Place de la Madeleine, 75008. Website : http://www.fauchon.com/fr/fr

Guerlain : 68 Avenue des Champs-Elysées, 75008 Paris‎. Website : http://www.guerlain.com

Romantic Paris Hotel

Hotel Britannique Paris Romantic Paris Hotel, 3 star Hotel Paris

Place Louis le Grand by Perelle

Napoleon’s column, Place vendome, anonym

Place vendome under Napoleon’s government, anonym

1870, anonym

Gustave Courbet, Paris, 16 mai 1871

Column in Place Vendome, Bouhot

Column in Place Vendome, Rouargue

Edouard Leon Cortes, Place Vendôme

Edouard Leon Cortes, rue de la paix et place Vendome

Louis Icart, smart Vendome square

Van Dongen, place vendome

]]> http://www.hotel-britannique.fr/en/2010/05/13/paintings-of-paris-place-vendome/feed/ 0 http://www.hotel-britannique.fr/en/2010/05/12/paintings-of-paris-louvre-tuileries-rivoli/ http://www.hotel-britannique.fr/en/2010/05/12/paintings-of-paris-louvre-tuileries-rivoli/#comments Wed, 12 May 2010 14:55:57 +0000 Hotel Britannique http://www.romanticparishotel.com/?p=876 Read More]]> The ‘historic axe’ or ‘the royal way’, designates the opening of Paris towards the West. The Louvre Palace, the Tuileries Gardens, the Place de la Concorde, the Champs Elysées, the Arc de Triomphe and the Grand Arche de la Défense and perfectly aligned over 8 kilometers. Here Monet installed his easel many times with the company of  Renoir, Van Gogh, Pisarro, Van Dongen and many others overs the centuries.

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Claude Monet, les Tuileries, study

Monet Tuileries

Claude Monet, Saint-Germain L’Auxerrois, Paris, 1867

Georges Jules Victor Clairin, fire at The Tuileries 1871

Giuseppe de Nittis the Carousel’s square and ruins of the Palace in 1882

Siebe Johannes TENECATE Tuileries aafter burning from the Carousel’s garden, 1883

Van Gogh, Carousel’s bridge and Louvre

Pissaro, Le Louvre rainy morning 1901

Renoir, Champs-Elysées, Paris Fair

Georges Stein, les champs elysees

Edgar Degas, visit at the Louvre

Kees Van Dongen Champs Elysees 1903

Posters of champs elysees

Jean Prevost aux Tuileries

Laurent Veyretout Paris, banks of the Seine Louvre

The Louvre Palace before the 19th century :

Le Louvre, in the XII centuries, anonym

Louvre in 1350, anonym

The Louvre in the XV centuries, prosperity under the Duke of Berry, anonym

the former Louvre, anonym

The Louvre, anonym

Around 1633, The Pont Neuf et The Louvre, French Academy in XVII, anonym

« Palais des Tuileries » before the French Revolution, anonym

The Louvre, anonym

The Louvre, anonym

columns of the Louvre, newly emerged, by Pierre Antoine de Machy, around 1793, Carnavalet Museeum

Tuileries after Lenotre’s embellishment, anonym

« Storming of  Palais des Tuileries », Court of Carrousel, Jean Duplessis-Bertaux, in 1792

Concorde’s square, seen from the left bank, in 1801, anonym

Napoleon visiting the Louvre, Louis Charles Auguste COUDER

« Palais Royal », in 1791, Louis Nicolas Lespinasse

Louvre and Tuileries, in 1830, anonym

Mongolfier’s brothers rising in the Tuileries’Garden, anonym

Parade in the Tuileries, pictured by Eugene Lami, engraved by J B Allen, 1843

Invalide Giving a Petition to Napoleon during the Guard’s Parade in Front of the Tuileries Palace in Paris, Horace Vernet, 1838

National guard camping inside The Tuileries, Leon Auguste Asselineau

Louvre et Rivoli’s street, around 1860, anonym

Claude Monet, Tuileries, study